✓ Cut and printed! Snyder’s Dawn of the Dead (2004) reimagined Romero’s slow shamblers as sprinting, snarling runners and put him on the directing map overnight. The script came from a then-unknown James Gunn. Land of the Dead was Romero’s own 2005 sequel; 28 Days Later (2002) was Danny Boyle; and Night of the Living Dead is the 1968 original Snyder didn’t touch.

✗ Cut — take two. The answer is Dawn of the Dead. Snyder’s 2004 remake (scripted by a pre-Marvel James Gunn) replaced Romero’s slow zombies with sprinters and instantly made him a name. Land of the Dead was Romero himself the next year, 28 Days Later was Danny Boyle, and Night of the Living Dead is the 1968 Romero original.

✓ Cut and printed! Frank Miller (Sin City, The Dark Knight Returns, Daredevil: Born Again) created the 1998 graphic novel 300 with painter Lynn Varley. Snyder famously shot the film almost entirely on green-screen sound stages and matched the comic panel-for-panel, even using Miller’s storyboards. Alan Moore wrote Watchmen, Mike Mignola created Hellboy, and Garth Ennis wrote The Boys and Preacher.

✗ Cut — take two. The answer is Frank Miller. His 1998 graphic novel (with painter Lynn Varley) was the entire blueprint — Snyder shot the film on green-screen and matched panels almost shot-for-shot. Alan Moore wrote Watchmen (Snyder’s next film), Mike Mignola created Hellboy, and Garth Ennis wrote The Boys.

✓ Cut and printed! Watchmen was written by Alan Moore (with artist Dave Gibbons) in 1986–87. Moore famously disowns all film adaptations of his work and asked to have his name removed from Snyder’s film. Terry Gilliam, Darren Aronofsky, and Paul Greengrass had all tried and failed to make it; Snyder’s opening credits sequence set to Bob Dylan’s “The Times They Are a-Changin’” is still cited as a master class.

✗ Cut — take two. The answer is Alan Moore, who wrote Watchmen in 1986–87 with artist Dave Gibbons. Moore famously disowns every film adaptation of his work, including this one. Frank Miller wrote 300 (Snyder’s previous film), Neil Gaiman wrote Sandman, and Grant Morrison wrote All-Star Superman, among many others — but Watchmen is uniquely Moore’s.

✓ Cut and printed! Henry Cavill, who’d been a known near-miss for Superman, Bond, and Batman over the prior decade, finally landed the cape under Snyder for Man of Steel (2013) and stayed in the role through BvS, Justice League, and the Black Adam cameo. Brandon Routh played Superman in Bryan Singer’s 2006 Superman Returns, Tom Welling headed Smallville, and Tyler Hoechlin currently plays him on Superman & Lois.

✗ Cut — take two. The answer is Henry Cavill, cast under Snyder for Man of Steel and the films that followed. Brandon Routh wore the cape in Bryan Singer’s Superman Returns (2006), Tom Welling carried Smallville for a decade, and Tyler Hoechlin plays Clark on Superman & Lois — but Snyder’s DCEU Superman has always been Cavill.

✓ Cut and printed! Zack Snyder’s Justice League runs roughly four hours — 242 minutes (4h 2m) — and was released in a near-square 4:3 aspect ratio to preserve Snyder’s intended IMAX framing. Whedon’s 2017 theatrical cut was 120 minutes flat, exactly half the length. The “Release the Snyder Cut” campaign ran for years on social media before HBO Max greenlit it.

✗ Cut — take two. The answer is about four hours — 242 minutes to be exact (4h 2m). It even released in a 4:3 aspect ratio to preserve Snyder’s intended IMAX framing. By comparison, Whedon’s 2017 theatrical cut was 120 minutes flat, exactly half the runtime. The Snyder Cut is one of the longest superhero films ever made.

✓ Cut and printed! Dave Bautista — Drax from the Guardians of the Galaxy films — anchored Army of the Dead as ex-soldier-turned-fry-cook Scott Ward. Snyder personally pursued him after Bautista’s dramatic turn in Blade Runner 2049 convinced him he could carry a film. The Netflix release spawned a Matthias Schweighöfer-directed prequel, Army of Thieves, the same year.

✗ Cut — take two. The answer is Dave Bautista — Drax in Guardians of the Galaxy. Snyder personally pursued him after Bautista’s dramatic work in Blade Runner 2049. The Rock, Cena, and Vin Diesel are all wrestler-to-action-star pivots, but it’s Bautista who’s carried Snyder’s heist-zombie hybrid (plus its 2025 sequel plans).

✓ Cut and printed! Snyder originally pitched Rebel Moon to Lucasfilm as a Star Wars project — a darker, Seven Samurai–inspired adventure on the edge of a galactic empire. Lucasfilm passed (the franchise was deep in its own plans post-Disney acquisition), so Snyder retooled the concept as an original IP for Netflix. Anyone who’s seen the film can spot the desert worlds, droids, and Death-Star-coded Dreadnought.

✗ Cut — take two. The answer is Star Wars. Snyder pitched a darker, Seven Samurai–style entry to Lucasfilm; they passed (the franchise had its own plans after the Disney acquisition), so he reworked it as original IP for Netflix. The desert worlds, droids, and Death-Star-shaped Dreadnought all came along for the ride.

✓ Cut and printed! Slow motion — specifically speed ramping, the trick of dynamically shifting from real-time to high-frame-rate within a single shot — is Snyder’s most-imitated trademark. 300 used it for nearly every kill; Watchmen’s entire opening montage is built on it; even Army of the Dead’s opening Vegas heist is one extended ramping sequence. It’s become so identified with him that critics nicknamed it the “Snyder-mo.”

✗ Cut — take two. The answer is slow motion — specifically speed ramping, where the frame rate shifts dynamically inside a single shot. It’s in basically every action beat in 300, Watchmen, BvS, Justice League, and Army of the Dead, to the point critics literally nicknamed it the “Snyder-mo.” The other techniques pop up here and there, but speed ramping is the calling card.