Disclosure Day Revives A 52-Year Post-Credits Trend


Director Steven Spielberg returns to science fiction with Disclosure Day, and the film’s post-credits continues a five-decade tradition for the filmmaker. Spielberg has a long and storied career in Hollywood, dating back to his theatrical debut in 1974 with The Sugarland Express. The crime drama starring Goldie Hawn was followed by Jaws, which officially made Spielberg a success.

In the decades since, the director has tackled a variety of genres, helming sci-fi classics like Close Encounters of the Third Kind, Minority Report and E.T. the Extra-Terrestrial. Some of Spielberg’s best movies include franchise-starters, like Jurassic Park and Indiana Jones. But Spielberg isn’t simply known for his genre fare, having helmed more straightforward dramas like Schindler’s List, The Fabelmans and Lincoln.

With his latest movie, Spielberg returns to sci-fi in Dislcosure Day, an alien abduction film in which a select few humans receive powers after being experimented on by extraterrestrials as children. The movie stars Emily Blunt and Josh O’Connor, who endeavor to reveal the existence of aliens and the effects of their experiments to the world. The ending of Disclosure Day is quite abrupt, cutting off before Blunt’s Margaret can reveal a message from the aliens to those viewing the broadcast, so audiences may wonder if there’s a credits scene tying up the film.



















Reel 1 of 1 · 35mm
How Well Do You Know Steven Spielberg?
“You’re gonna need a bigger boat.”

🦈JawsSmile, you son of a…

🌕E.T.Phone home

🪒Indiana
Jones
Belongs in a museum

🦖Jurassic
Park
Hold on to your butts

🫖Saving
Ryan
Earn this

01

Jaws (1975) invented the summer blockbuster — partly because the three pneumatic sharks built for the shoot kept malfunctioning in Martha’s Vineyard’s salt water, forcing Spielberg to keep the creature offscreen. What nickname did the crew give the mechanical shark?




✓ Correct! Bruce — named after Spielberg’s lawyer, Bruce Ramer. Three 25-foot hydraulic sharks were built for about $250,000 each, and they kept sinking, shorting, and rusting. The forced minimalism (Williams’ dun-dun cue, a bobbing barrel, a ripple on the water) is now credited with making Jaws scarier than any visible shark could have. Pixar later named the shark in Finding Nemo “Bruce” as a tribute.

✗ Cut! The answer is Bruce — after Spielberg’s lawyer Bruce Ramer. “The Orca” was Quint’s boat. “Moby” and “Chompers” are red herrings. The three real hydraulic sharks kept breaking down so badly that Spielberg hid the shark for most of the film, which paradoxically became the masterstroke that invented modern suspense cinema.

02

In E.T. the Extra-Terrestrial (1982), Elliot lures the stranded alien out of the forest with a trail of candy. In one of film history’s most famous product-placement coups, Mars Inc. turned down the M&M’s offer, so Hershey’s swooped in — and sales of which sweet jumped around 65% overnight?




✓ Correct! Reese’s Pieces. Hershey’s paid roughly $1 million in promotional tie-ins (no upfront placement fee, but they agreed to run an E.T. marketing campaign) and watched sales explode as the film ran through summer 1982. It remains the textbook case taught in business schools for how screen placement can remake a product overnight. E.T. became the highest-grossing film of all time until Spielberg’s own Jurassic Park dethroned it in 1993.

✗ Cut! The answer is Reese’s Pieces. Mars Inc. turned down the M&M’s offer, reportedly because executives thought the alien was too ugly to associate with the brand — a decision they must have regretted all summer. Hershey’s took the deal, did about $1M in tie-in marketing, and saw Reese’s Pieces sales jump around 65%. It’s still the gold-standard case study in product placement.

03

Raiders of the Lost Ark (1981) nearly starred a different leading man. He’d already screen-tested with Karen Allen and signed on, but CBS refused to release him from his TV contract, so Harrison Ford was cast roughly three weeks before shooting. Who was the original Indy?




✓ Correct! Tom Selleck — locked in by CBS for Magnum P.I., which the network refused to delay. To twist the knife, a writers’ strike then pushed Magnum’s start back anyway, meaning Selleck would have been free in time. Harrison Ford (already Han Solo for George Lucas) stepped in late, and the rest is cinema history. Selleck has joked about it on every late-night circuit for 40 years.

✗ Cut! The answer is Tom Selleck. He had the part and the test footage with Karen Allen still exists. CBS wouldn’t let him out of Magnum P.I. — a writers’ strike then delayed the TV show anyway, which is the great “what if” of his career. Lucas and Spielberg turned to Harrison Ford, already lined up for Empire Strikes Back, just three weeks before Raiders began principal photography.

04

Close Encounters of the Third Kind (1977) climaxes at Devils Tower as scientists greet the alien mothership by exchanging a five-note musical phrase — possibly the most famous handful of notes ever written for a film. The long-time Spielberg collaborator who composed it is…




✓ Correct! John Williams — Spielberg’s collaborator on nearly every film he’s made since The Sugarland Express in 1974. Williams reportedly tried hundreds of five-note combinations before Spielberg signed off on the Re-Mi-Do-Do-Sol sequence. Williams has five Oscars, 50-plus nominations, and his Spielberg credits include Jaws, E.T., Indiana Jones, Jurassic Park, Schindler’s List and more.

✗ Cut! The answer is John Williams — the only composer Spielberg has really used across his career. Jerry Goldsmith scored Alien and Poltergeist. Hans Zimmer is the Nolan guy. James Horner did Titanic and Avatar. Williams alone has scored nearly every Spielberg film since 1974 and personally wrote the five-note Close Encounters motif after trying hundreds of alternatives.

05

Jurassic Park (1993) was adapted from a 1990 novel whose author insisted on writing the first screenplay draft himself. Spielberg paid $1.5 million for the rights before the book was even published. Who wrote it?




✓ Correct! Michael Crichton — the Harvard-trained physician-turned-novelist who also wrote The Andromeda Strain, Congo, Sphere, Disclosure and Rising Sun, and created ER. He sold Jurassic Park to Spielberg pre-publication. David Koepp rewrote Crichton’s draft into the film’s shooting script. The novel and film were such a phenomenon that Crichton wrote a sequel, The Lost World, explicitly because Spielberg asked for one.

✗ Cut! The answer is Michael Crichton. He wrote the novel in 1990, Spielberg bought the rights pre-publication for $1.5M, and Crichton did the first screenplay draft before David Koepp took it over. Crichton also created ER and wrote Andromeda Strain, Congo, Sphere, Disclosure and more. Stephen King, Clancy and Grisham are all bestsellers of the same era, but Jurassic Park is pure Crichton.

06

After a decade of being nominated and shut out by the Academy, Spielberg finally won his first Best Director Oscar in March 1994. The film — shot in Poland, mostly in black and white — also won Best Picture. Which one was it?




✓ Correct! Schindler’s List — which swept the 1994 Oscars with seven wins, including Best Picture and Spielberg’s first Best Director statue. He famously shot it in 72 days for about $22 million in parallel with prepping Jurassic Park, and took no salary. He’d later win a second Best Director for Saving Private Ryan (1998). The Color Purple went 0-for-11 at the Oscars in 1986 — one of the most notorious snubs ever.

✗ Cut! The answer is Schindler’s List. The Color Purple (1985) got 11 nominations and won zero. Empire of the Sun (1987) went home empty too. Amistad (1997) was respected but not a Best Director winner. Schindler’s List won seven Oscars in 1994 — Best Picture, Best Director and more — finally breaking Spielberg’s decade-long Academy drought.

07

Saving Private Ryan (1998) opens with a harrowing, nearly 24-minute combat sequence that veterans described as the most realistic war footage ever put on film. Which June 6, 1944 landing does it recreate?




✓ Correct! Omaha Beach — the bloodiest of the five D-Day sectors, where US forces took catastrophic casualties in the opening hours. Spielberg filmed the sequence on Curracloe Strand in Ireland with around 1,000 extras, desaturated the film stock, and removed the protective shutters from cameras to capture that signature jittery, hand-held look. The Ryan opening is routinely voted one of the greatest battle scenes in film history.

✗ Cut! The answer is Omaha Beach. Iwo Jima and Okinawa were Pacific, 1945. Sword Beach was the British D-Day sector. Omaha was the bloodiest of the Normandy landings, and it’s where Spielberg’s shaky-cam, desaturated, shutter-stripped sequence is set — shot on Curracloe Strand in Ireland with about 1,000 extras, many of them Irish Defence Forces reservists.

08

In 2022 Spielberg finally told his own origin story — a young Jewish boy named Sammy who falls in love with filmmaking, watches his parents’ marriage fracture, and learns that a camera can both reveal and lie. Michelle Williams got an Oscar nom for playing the mother. What’s the film called?




✓ Correct! The Fabelmans — co-written with his Lincoln and Munich collaborator Tony Kushner. Paul Dano plays the father (based on Spielberg’s engineer dad Arnold), Michelle Williams plays the mother (based on his artist mum Leah) and earned a Best Actress Oscar nom, Gabriel LaBelle plays young Sammy/Steven, and David Lynch cameos as John Ford in the film’s stunning final scene. Seven Oscar nominations in total, including Picture and Director.

✗ Cut! The answer is The Fabelmans. “Amblin” is the name of his 1968 short and his production company, not this film. The Fabelmans (2022), co-written with Tony Kushner, dramatises Spielberg’s New Jersey-to-Arizona-to-California childhood with the family name lightly fictionalised. It earned seven Oscar nominations including Picture, Director and a Best Actress nod for Michelle Williams.

End of Reel · House Lights Up
Your Director’s Cut

🎬

/ 8

Amblin auteur — or still shooting the first act?

However, Disclosure Day doesn’t have any post-credits scenes. The movie’s sudden cut to black is the final ending, with nothing during the credits to offer insight into what happens after Margaret says, “Listen.” While Disclosure Day’s lack of credits scene or teaser may be disappointing, it does continue a long-standing tradition for the filmmaker.

Disclosure Day Continues A 52-Year Steven Spielberg Trend

Emily Blunt as Margaret Fairchild in Disclosure Day

In all his many years of making movies, Steven Spielberg has never included a post-credits scene with any of his films. For 52 years, since The Sugarland Express, the filmmaker has abstained from including credits scenes teasing future movies or additional installments in franchises. While that makes sense for his standalone films like Jaws and E.T., it is a little surprising for his franchise fare.

For a decent amount of Spielberg’s career, post-credits scenes weren’t the norm, but that has changed in the last 20 years with the rise of interconnected franchises like the Marvel Cinematic Universe. Now, it’s not uncommon for movies to include credits scenes, or little Easter eggs to reward audience members who stick around the watch the credits. Even Project Hail Mary had a credits surprise, despite the film being completely standalone.

So it wouldn’t be out of the realm of possibility for Spielberg to have adopted the practice of including credits scenes in his movies, but even the movies you might expect to have credits scenes — like Ready Player One or Disclosure Day — don’t have them. For over five decades, Spielberg has avoided including anything in the credits of his films, concluding his movies entirely before the credits begin to roll.

That’s not to say Spielberg will never include a credits scene in one of his movies, but if he’s gone 52 years without doing it, it seems unlikely he’ll start now. So Disclosure Day continues one of the director’s most consistent traditions, but does that mean Spielberg is done with this sci-fi story?

Will Disclosure Day Get A Sequel?

Emily Blunt's Margaret holding a glowing piece of alien technology while a group of people stand behind her looking worried in Disclosure Day
Emily Blunt’s Margaret holding a glowing piece of alien technology while a group of people stand behind her looking worried in Disclosure Day

As of publication, there have been no discussions of a Disclosure Day sequel. In fact, Spielberg told ScreenRant that Disclosure Day is the “summation film” of his alien sci-fi stories that began in Close Encounters and E.T. If the filmmaker thinks of Disclosure Day as the final act, it seems unlikely he’ll continue the story into another movie, whether a direct sequel or otherwise.

As such, it doesn’t seem like Disclosure Day 2 will happen anytime soon, but never say never. For now, all we know for certain is that Disclosure Day continues the 52-year-old tradition of Spielberg not including post-credits scenes in his movies.


disclosure-day-poster.jpg


Release Date

June 12, 2026

Runtime

145 Minutes

Cast

  • Headshot Of Emily Blunt

  • Headshot Of Josh O'Connor

    Josh O’Connor

    Daniel Kellner




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