JuicyTalk
As exciting as Mike Flanagan’s new Stephen King movie adaptation may seem, it already has a massive Lovecraftian challenge to overcome.
Mike Flanagan already seems to have numerous Stephen King adaptations lined up, with one, Carrie, scheduled to premiere later this year. The director is now set to helm the movie adaptation of another Stephen King story, which has already been given the big and small screen treatment.
While it is arguable whether the story deserves another movie adaptation, it already seems to be Flanagan’s most challenging project to date. It forces him to dabble in Lovecraftian territory, which is often hard to execute in live-action storytelling.
Mike Flanagan’s The Mist Will Be His First Mainstream Lovecraftian Project
Mike Flanagan made his feature film directorial debut with 2011’s Absentia, which arguably had some cosmic horror elements. However, after that, he primarily dabbled with horror movie and TV projects that had little to no Lovecraftian elements. As reports confirm, Flanagan is now adapting Stephen King’s The Mist, which is often touted as one of the most Lovecraftian stories written by the author.
By obscuring the nature of the titular mist and the horrifying terrors it holds, both the book and its 2007 movie adaptation perfectly portray the “fear of the unknown” that defines H.P. Lovecraft’s stories.
Even the giant monsters in the 2007 movie seem to be inspired by Lovecraftian mythos. The film also perfectly captures the fragility of human sanity by showing how even its brave and morally righteous protagonist ultimately fails and resorts to extreme violence upon realizing how insignificant he is against the vastness of the universe.
While only time will tell whether Mike Flanagan’s take on the Stephen King story will be as hard-hitting as the 2007 movie, it is hard not to be a little concerned about the project.
Flanagan’s Take On Stephen King’s The Mist Cannot Risk Being Similar To The 2007 Movie
Frank Darabont’s The Mist is a nearly-perfect Stephen King adaptation, which explains why it has a massive cult following. And as risky as it may seem, the movie’s ending could not have been any better because it gives it a perfectly Lovecraftian edge. Since The Mist has already been done so well before, Mike Flanagan’s upcoming adaptation of the same already faces an uphill battle.
Darabont set an almost impossibly high bar with his portrayal of the original story’s Lovecraftian aspects. Getting Lovecraftian horror right on the screen is anyway a challenging feat, but Flanagan also faces the added pressure of reinterpreting material that many fans consider definitive.
Mike Flanagan’s adaptation of The Mist cannot risk being too similar to Darabont’s version. At the same time, though, if it drifts too far from it and turns it into a more optimistic tale about humanity’s resilience or inherent goodness, it would risk diminishing the cosmic horror elements that make the original story so haunting.
Hopefully, Mike Flanagan will find a way to give his take on Stephen King‘s The Mist its own identity without diluting its existential weight and Lovecraftian undertones.
