JuicyTalk
Over the past couple of decades, as horror movies have started using them as a crutch, the term “jump scare” has come with some negative connotations. The “elevated horror” movement was pioneered by filmmakers who eschewed the cheap thrills of a jump scare in favor of building a tense, chilling atmosphere. But even movies like Hereditary and The Witch have a few jump scares. When they’re done well, jump scares don’t have to be a bad thing; they just need to be properly set up.
You can’t just have a monster jump out of a closet and play a loud music cue and expect the audience to feel an effective fright. You might startle them, but you won’t truly terrify them. The best jump scares are solidified in the buildup. David Lynch builds a hair-raising sense of anticipation before the reveal of the man behind Winkie’s in Mulholland Drive. Zach Cregger spends half an hour setting up a totally different movie before “The Mother” shows up in Barbarian.
Ridley Scott’s Alien has the greatest jump scare of all time, and it’s all in the buildup. Around 75 minutes into the first Alien movie, while Dallas is searching the vents with nothing more than the light of a flamethrower, he’s surprised by the xenomorph pouncing out at him. This isn’t just the best jump scare in the Alien franchise; it might be the best jump scare in all of horror cinema.
Alien’s Xenomorph Jump Scare With Dallas Solidified Ridley Scott’s Movie As A Sci-Fi Horror
Scott pioneered a whole new subgenre of horror cinema when he directed Alien. The film’s “haunted house in space” conceit allowed Scott to combine the terror of a William Castle B-movie with the gonzo, otherworldly cosmic visuals of 2001 or Silent Running. The scene where the xenomorph pops out at Dallas in the vents combines the two perfectly. It uses the futuristic sci-fi technology to enhance the terror.
As Dallas slowly but surely makes his way through the vents, the rest of the crew watch him as a blip on a monitor with bated breath. Another blip represents the alien, getting closer and closer, and it’s a simple but fiercely effective way to build suspense. The crew can see the alien approaching Dallas clear as day on the monitor, but Dallas can’t see a thing in the vents. The alien blip beeping closer to the Dallas blip gradually raises the tension, much like John Williams’ Jaws theme, before Scott finally pays it off and Dallas points his light right at the xenomorph just in time to be eviscerated.
It’s a perfect piece of horror filmmaking, and a prime example of what made Scott’s direction of Alien so effective. He took a script that could’ve been a forgettable B-movie and turned it into a cinematic landmark that has stood the test of time for half a decade.
1979’s Alien Featured Several Other Memorable Jump Scares
Dallas’ surprise in the vents isn’t the only unforgettable jump scare in Alien — the movie is full of them. There are a couple of fakeouts, like when Jones the cat jumps out at Ripley, and some more drawn-out scares, like the reveal of the adult alien towering over Brett. John Hurt is at the center of two of the movie’s most iconic scares: first, when Kane is initially attacked by the facehugger, and again when the baby xenomorph tears through his chest.
Toward the end of the movie, after Ripley has escaped from the Nostromo, Scott lulls us into a false sense of security. It seems like the scary stuff is over, and the movie is wrapping up — and then the xenomorph, still alive and well, jumps out at Ripley on her escape pod. Alien is a timeless masterpiece of horror filmmaking. Dallas’ death is its most effective jump scare, but it has some stiff competition.
